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LOCATION
AND TOPOGRAPHY |
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town of Alegría-Dulantzi is located
on the plains of the Llanada Alavesa, on the
natural corridor that leads from Vitoria-Gasteiz
to Navarre and Guipúzcoa. |
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The centre of
the town was originally founded upon the left bank
of the River Alegría, taking up the northern
slopes of a hill, controlling three important routes
- towards Rioja, crossing the Montaña Alavesa
hills, towards the San Adrian mountain pass and,
via Gamboa, towards Vizcaya and Guipúzcoa.
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HISTORIC
EVOLUTION AND URBAN STRUCTURE |
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HISTORY |
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The foundation
of the town of Alegría was part of
the general movement that took place in Europe
during the Late Middle Ages and which led
to 69 new population centres being established
in the Basque Country between the mid-twelfth
and late-fourteenth centuries.
The Town Charter of the Foundation of Alegría
de Dulançi dates from the 20th of October
1337; it was granted by King Alfonso XI in
response to requests by people from six nearby
villages for protection against the unfair
practices of the nobility and to direct the
agricultural surplus of the area into a weekly
market. The inhabitants of these villages
gathered in the new town, which had been constructed
on the site previously occupied by the village
of Dulançi, abandoning the rest, with
the exception of Eguileta.
The vulnerability of the area led to the walling
of the town and in its interior a fortress
was built. However, this fortress, property
of the nobility, was the source of disputes
between its owner and the inhabitants of the
town.
In 1443, during the war between the Brotherhoods
of Álava, which supported the Lazcanos,
the Lords of Alegría, and the Conde
de Ayala, then Lord of Salvatierra, the troops
of the latter, having won the battle, burnt
down the town so that it could not shelter
the defeated soldiers.
At the end of the 15th Century, Don Juan López
de Lazcano, the Lord of the Town, ordered
part of the town walls to be demolished in
order to reconstruct the fortress, which had
been burnt and destroyed at the same time
as the rest of the town.
In 1501, the tower was sold to the Crown;
from that day on, the governor of the tower
was named by the King and it remained standing
until at least the end of the 18th century.
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STRUCTURE
AND URBAN GROWTH |
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The layout
of the urban centre of Alegría was
typical of a town built on a hillside: the
main defence was at the highest point, the
two main streets, Mayor and Fortaleza, followed
the contours of the hill and the other transverse
streets went from the fortress to the river,
the town's natural moat, or simply between
the fortress and the Calle Mayor.
Three bridges crossed the River Alegría,
leading to the three gates at the north of
the town:
The
first, to the west, joined the area of Dulantzi
with the Calle Euskalerría, probably
outside the walls, with an entrance to the
walled enclosure at the end of the Calle Mayor.
The
second was the entry to the Cuesta de las
Cabras, which led to the church, the square
and the fortified tower.
The
third one crossed the river opposite the Calle
del Arrabal; the original Town Gate was also
located at the end of the Calle Mayor, with
the Calle de San Blas within the walls and
the Calle del Arrabal outside. This gate lasted
until 1884.
It is possible that to the south, next to
the fortress, a fourth gate gave way into
the town from the Eguileta road.
The structure of public spaces was around
the five main streets: Ibaiondo, Mayor, Fortaleza,
Euskalerría and Arrabal, and two alleyways:
Cuesta de la Fortaleza and Cuesta de las Cabras.
The Calle Mayor, also called "Calle Real"
in some documents, lies on the route that
goes from Vitoria to Salvatierra. It is the
main street of the town, certainly its busiest
and for many years the only one to be so defined.
On the whole, the medieval urban layout remains
intact, although the walls and fortress have
completely disappeared.
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TYPES
OF BUILDING |
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No examples
of medieval architecture have survived to
the present day due to the fire of 1443. Only
the Gothic layout remains, showing plots of
land that had approximately six metres of
frontage and were sixteen metres deep.
On the other hand, there are a great number
of 16th century buildings that show the prosperity
of the town at this time, with their round
arched doorways in tapered stone. There are
also two houses adorned with heraldic devices.
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OUTSTANDING
STRUCTURES |
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The Fortress, or Torrealdea, since disappeared,
was situated at the highest point of the town.
It was surrounded by a wall with battlemented
parapet and four circular angle towers and
was protected by a moat with drawbridge, according
to a report made to Felipe II in 1592.
In 1443, the fortress was sacked and razed
to the ground by the troops of the Lord of
Salvatierra; it was reconstructed by Don Juan
López de Lazcano with stone taken from
the city walls.
In 1501, it passed into Royal hands. It was
probably after this that it was abandoned,
beginning a process of deterioration that
had made it uninhabitable by the beginning
of the 17th century and completely in ruins
by around 1770.
In 1783, its demolition was agreed upon and
its materials were used in the construction
of the Town Hall.
The Town Walls, of which few reports and absolutely
no remains survive, were demolished at the
end of the 15th century to reconstruct the
Lazcano fortress.
The Church of San Blas has the remains of
a medieval building on the exterior of its
southern side. Upon it was built this late-Gothic
structure at the end of the 15th and during
much of the 16th centuries. At the end of
the 15th century, the tower was demolished
and its stone was used in the reconstruction
of the fortress destroyed in 1443.
During the first half of the 17th century,
the main altarpiece of San Blas was erected,
the work of José de Angulo.
An outstanding feature is the neo-classical
tower built by Juan Agustín de Echevarría
from 1792 onwards. The same architect was
responsible for the arched portico of the
church.
The Town Hall closes the northern side of
the town square. The building dates from 1788,
and features a portico with three arches,
a continuous balcony, the town's crest on
the façade and a hipped roof.
The three buildings are situated around the
Herriko Plaza, at the upper end of the town.
The final defining element of the urban structure
of Alegría-Dulantzi is the River Alegría,
which flows past the northern side of the
ancient walls, acting as a natural moat for
the town.
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